“There was a moment where I had to do an additional water sequence with no director, just myself and a camera man on an underwater camera,” Carey said.
Upon close examination of several of West’s interviews it became clear that if you edited the narrative West presented, omitting the screaming and the nonsequiturs, that all the man really wants is a chance to prove himself in the world of fashion design.
“Babyface and I have an album coming up, February 4, it’s called ‘Love, Marriage and Divorce.’ It’s about relationships and the irony of that is that I was going to retire and I was not going to do music anymore.”
“The GRAMMYs actually heard the song and they stepped up right beside me, saying, ‘Hey, we hear you. We get it. We’re with you.”
GRAMMYs exec producer Ken Ehrlich on how Kendrick suggested a collabo with Imagine Dragons and what goes into getting Beatles together.
It’s a moody anthem that serves as the closing song on his 2013 album’ Two Lanes of Freedom.’ McGraw was drawn to it’s “timeless” quality.
“When we were about to pick the first single I really lobbied for ‘Merry Go ‘Round’ because I’m out there every night and I can tell you, hands down this is the one people are connecting with. I’m really glad that was my first thing to say to the world.”
Frontman Ezra Koenig on about how their hit single from the GRAMMY-nominated ‘Modern Vampires of the City’ went through a rough ugly duckling stage until they figured out that vocal effect—you know the one.
“When I heard ‘Wagon Wheel’ at my daughter’s high school talent contest, I just thought, ‘Man some day I’m going to cut the song for a record.’ It was one of those lightning bolt things that I can’t even explain.”
The first time T-Pain heard his song on the radio, he was dreaming. Not in some “OMG, it’s all coming true” kind of way, but actually dreaming.